lundi 8 décembre 2008

CINEMA - AWARDS INTERFAITH DIALOGUE




First SIGNIS Awards at Interfaith Festival Religion Today 2008
Rome, October 28, 2008 (SIGNIS) - The 11th edition of Religion Today marked the first participation of a SIGNIS Jury at the interfaith festival. The SIGNIS Prize was awarded to Gianluigi Calderone of Italy for the film Don Zeno.
"In the conflicting social and political context of the 30’s, Don Zeno portrays a passionate young man from the Catholic Action who dedicates his life to the poorest in the most radical ways of the gospel. A film with a story and characters that sustain the drama with a strong meaning for today television audience."
A SIGNIS Commendation was given to Goodbye Mothers by Mohamed Ismail (Morocco).
"In Morocco in the 60’s, long time friends and neighbours of different religions cope with political exclusion. The script weaves individual family stories with a moving interpretation of their tragic destiny."
In the short films section, the SIGNIS award went to Seasons of Love directed by Father Jiji Kalavanal.
" In Seasons of Love , a group of students responds to the rejection of one of them suffering from AIDS, both by parents and society. A gripping professional film by a college student with promising talent."
The SIGNIS Jury was composed of Paul Cheruthottupuram (Italy, India), Kamal Correya (Bangladesh) and Magali Van Reeth (France).
Since 1997 Religion Today has been the first itinerant festival dedicated to dialogue between cinema and religions. This year, the festival collaborated with the Salesian Pontifical University to organize three days of screenings and meetings on the theme "Cinema, Religion and Peace" to discuss how cinema can contribute to peace.
http://www.religionfilm.com/

dimanche 7 décembre 2008

Jewish museum showcases unity John Thorne, Foreign Correspondent



Jewish museum showcases unity
John Thorne, Foreign Correspondent
Last Updated: December 02. 2008 11:06PM UAE / December 2. 2008 7:06PM GMT
CASABLANCA // Ten years ago, Jewish fathers in Morocco looked at demographics and decided it was time to build a museum.

Morocco’s once-thriving Jewish community has shrunk to a handful since the creation of Israel in 1948. Today, Simon Levy, a linguist and historian, fights doggedly to preserve its memory as director of the Arab world’s only Jewish museum.

Simon Levy, left, the director of the Jewish museum in Morocco, speaks to visitors. Eve Coulon for The National
Mr Levy recently played host to a group of high school students. For most, it was their first exposure to Jewish Morocco. While Mr Levy normally sees a trickle of foreign Jewish tourists, his target audience are Muslim youngsters.

“More than anything, I want them to learn that there’s a different way of being Moroccan,” Mr Levy said.

The Jewish Museum of Casablanca is a complex of low, white buildings with gardens of cactus and palm trees. Inside is a collection of artefacts from traditional Jewish life, plus an archive of photos, documents and films. For Mr Levy, the museum stands as testament to a rich Jewish life in Morocco even as the country’s dwindling community flickers at the edge of existence.
Mr Levy walks the students through the galleries, explaining the Torah scrolls, silver jewellery, and photos of Jewish life – rabbis with long beards, boys in yarmulkes poring over Hebrew texts, menorahs blazing in the synagogues. He asks the students to identify the Jews and Muslims in an old photograph. They guess unsuccessfully for a moment, then Mr Levy asks what the picture represents.

“Mixing?” a girl said.
“No!” Levy said. “Because they are the same.”

Jews and Muslims share many customs that mark them as Moroccans, Mr Levy tells the students. They speak Moroccan Arabic, eat couscous and tajines, drink green tea laced with mint and make pilgrimages to the shrines of local Jewish and Muslim saints.

It is the result of nearly two millennia of Jewish presence in Morocco that has withstood successive upheavals.
Nearly 2000 years ago, Rome destroyed the Temple of Jerusalem and drove the Jews into exile. Some did not stop until they reached Morocco, where they quietly flourished through Roman, Vandal and Byzantine rule.

Arab armies barrelled into North Africa in the seventh century, bringing Islam and imposing the second-class status of dhimmi on Jews. In the 12th century, the Almohad dynasty went further, ordering Jews to become Muslims or quit Morocco. Most converted falsely until the Almohads fell in the next century.
By now, Morocco was home. Jews were prominent in metal-working, banking and commerce, and increasingly served Moroccan sultans as middlemen to Europe. The community was bolstered in the 16th century by Jews fleeing waves of persecution in Europe.

Jews also suffered in Morocco at moments of political tension. European visitors wrote of Jews forced to walk barefoot near mosques, cheated in courts and assaulted with impunity.
Twentieth-century French colonialism abolished the dhimmi status, but replaced it after 1940 with the repressive decrees of wartime France’s pro-Nazi Vichy government. The appeal of Zionism to Morocco’s Jews increased, compounded after the war by economic hardship. After Moroccan independence in 1956, Jews gained full rights as Moroccan citizens and today enjoy freedom of worship and government support for Jewish institutions. But since the creation of Israel in 1948, a Jewish community that once numbered about 265,000 has plummeted to fewer than 2,500.
For some Muslim Moroccans, the dwindling of the Jewish community is a bitter loss.

“I had Jewish friends when I was a kid,” said Mohamed Ismail, a Moroccan filmmaker who grew up in the 1950s. “Then overnight, they were gone.”

In February, Mr Ismail released Adieu Meres (Farewell Mothers), the story of Jewish and Muslim friends torn apart by political tension, money troubles and the machinations of an Israeli immigration agent. Subplots feature a Jewish insurance broker who sells his practice to join family in Israel and a doomed Muslim-Jewish romance.
“If it hadn’t been for the creation of Israel, the Jews wouldn’t have been compelled to leave,” Mr Ismail said. Adieu Meres will represent Morocco at the 2009 Academy Awards in the Best Foreign Language Film category.

Israel is home to about one million Jews of Moroccan origin. But nowadays Morocco’s few remaining Jews are heading North, not East.

“For most Jews, Morocco no longer offers possibilities,” said Shimon Cohen, the headmaster of Casablanca’s Lycée Maimonide, one of four Jewish schools in Morocco. Armed with French diplomas, Mr Cohen’s students go on to university studies and jobs in France.
But Mr Levy, the museum director, insists that despite their emigration, “the millions of Moroccan Jews wandering the earth remain attached to their country”. At the museum, Mr Levy and the visiting students are winding up their tour. He leads them into a small synagogue and his assistant brings everyone glasses of Moroccan green tea.

“It’s a surprise to learn that Jews and Muslims lived in harmony,” said Zina, 14, one of the students. “Before, I had only the image of Israel and the Palestinians fighting one another.”
Mr Levy points to a drawing on the wall depicting Jerusalem. The Dome of the Rock, Wailing Wall and Al Aqsa Mosque are all visible.

“What do you think this picture represents?” he asks the students.

“Peace?” says a boy.

“Yes, peace.”

jthorne@thenational.ae

Voices : Goodbye Motheres « Adieu Mères » By Georg Neumann


Goodbye Motheres « Adieu Mères »
By Georg Neumann
30Nov08
There are few movie theatres in Rabat. The Institute Française shows movies in their little theatre on Saturday’s and Sunday’s at 6:30pm. But then there’s the theatre 7ème Art, just in the centre of the city. A quite modern building with a Bauhausian name sign above the entrance, at one side of a plaza next to the city centre’s main avenue Mohamed V.

Since I arrived two weeks ago, they have been showing the same movie, Adieu mères (Goodbye Mothers) by Mohamed Ismail, his fourth film. If you have a look at the poster, you might not necessarily feel very attracted to go see it. But entrance is 15 Dirham (1 Euro 50), it’s part of Moroccan culture, and it deals with a topic, Jewish emigration in the 60’s, that is being discussed recently in Morocco and was on the cover of one of the main weekly magazines, TelQuel, that titled last week: The Jew in Us (story in French). So tonight was the night. Function was on at 9pm, as every night. I went with a friend and we got our ticket from the ticket counter, right next to the entrance that leads directly into the one big hall, with the hallway in the middle (where usually the best seats are). Comfortable, red, slightly run-down and squeaking seats. But it gives you this feeling of a movie theatre. Not a multiplex, but really a place to appreciate a film. Not many were there to appreciate tonight’s function though. It started of with a Moroccan short movie, called Liberé Provisoire that although with some parts in Arabic, had a nice little plot of a man who leaves prison, picks up the money he had hidden, and looses it when he goes into a bar following a woman making him eyes… and a surprising ending.
Adieu Mères is telling the story of a Jewish community in Morocco, filmed on the background of Jewish emigration to Israel in the 60s, where a thousand year long history of Jewish population exists. Today only about 2,000 remain, while in 1950 there were nearly 250,000 on 10 million Moroccans. The story turns around the impossible love between a young Jewish girl and the Muslim boy, and a father, who feels he has to leave family and his best friend behind for a better living.
The film is tragic, very tragic and touches on the deepest feelings of human nature, home (what we call in German “Heimat”), friendship, love, sorrow, and family. It is different in a sense that it doesn’t use the acting, cutting and story telling in a way we are used, and the score is somewhere between Once upon a time and Titanic, but the feelings can be understood anywhere. So I’ll be back for more, whenever the programme may change.
By the way, the movie is nominated for best foreign movie for next year’s Oscars celebration and talking about Hollywood, for Hollywood movies go to the Medina, where the latest can be found for just 10 Dirham (about 1 Euro). One might think sometimes even before they are out in the USA.


Georg Neumann
Georg Neumann. Living in Berlin. Lived two years in Tijuana, Mexico, working in development assistance. Now a communication specialist and working for Transparency International, an international NGO fighting corruption.

vendredi 14 novembre 2008

‘Adieu Mères’ de Mohamed Ismail à la mostra du cinéma africain de Barcelone






"Adieu mères" du réalisateur marocain Mohamed Ismail a été projeté samedi soir à Barcelone dans le cadre de la 13e édition Mostra du cinéma africain de Barcelone, qui se tient du 7 au 13 novembre.

Le Festival, organisé à l'initiative de l'Association culturelle catalane "Ull Anonim" (regard anonyme), est marqué par la projection d'une trentaine de productions cinématographiques (courts et longs métrages ainsi que des films documentaires), notamment du Maroc, Algérie, Niger, Mali, Sénégal, Cameroun, Tchad, RD Congo, Egypte et Afrique du Sud.

Les organisateurs de la Mostra du cinéma africain de Barcelone ont retenu également, pour cette 13e édition, la programmation de productions cinématographiques de la diaspora afro-américaine à travers la section "Mama Africa", un regard sur les Latino-américains notamment ceux originaires de Colombie et du Brésil.

Le film (mars 2007), qui a suscité un grand débat interculturel, a été projeté dans plusieurs festivals du cinéma.

Le Maroc a été l'invité d'honneur de l'édition 2006 de la Mostra du cinéma africain de Barcelone, qui s'est tenue sous le thème "Le Maroc comme modèle".

Plusieurs films marocains avait été projetés à cette occasion, notamment la "Samphonie marocaine" de Kamal Kamal, "Les Ailes brisées" de Majid Rchich, "Tarfaya" de Daoud Oulad Sayed, "Le défunt", "Crépuscule" et "Adoubaba" de Rachid Ouali, "Danse du foetus" et "L'ombre de l'âme" de Mohamed Mouftakir et "Loin des yeux" d'Ismail Saidi.

Par MAP

jeudi 13 novembre 2008

فيلم "وداعا أمهات" لمحمد إسماعيل يفوز بجائزتين بإيطاليا




تَوج فيلم محمد إسماعيل "وداعا أمهات"، بعد مشاركاته في العدد من المهرجانات الأوروبية والأمريكية، بجائزة "لجنة التحكيم" في مهرجان "الديانات اليوم" أو "روليجيون توداي"، الذي احتضنته العاصمة الايطالية روما، نهاية أكتوبر الماضي، حيث تسلم الجائزة في حظيرة الفاتيكان، بالإضافة إلى جائزة "حوار الديانات"، التي حصل عليها بمدينة "ترينتو"، شمال إيطاليا. وقد تميز هذا المهرجان بمشاركة أفلام من بلدان تمثل جميع الأديان السماوية، ومنها إيران وسوريا والولايات المتحدة وإسرائيل وألمانيا وبولونيا وروسيا والمغرب.
واعتبر المشاركين فيلم محمد إسماعيل " رسالة إنسانية، ودعوة للتعايش والسلام"، وطلبوا عرضه وتوزيعه في بلدانهم.
وكان فيلم "وداعا أمهات" قد عُرض أخيرا في مجلس الشيوخ البلجيكي وحظي باستحسان واهتمام جميع المستشارين، واقترح بعضهم عرض الفيلم على الطلبة في المدارس البلجيكية المختلطة بصفته وثيقة تدعوا إلى التعايش بين الديانات.
وسيشارك الفيلم قريبا في مهرجان السينما الإفريقية في برشلونة ومهرجان فينا وأسبوع السينما المغاربية بمدريد أواخر دجنبر المقبل، وكان شريط محمد إسماعيل قد طاف عبر مهرجانات دولية عديدة، في كل من فرنسا وإسبانيا وبلجيكا وايطاليا، وولاية مينيابوليس الأمريكية، وساوباولو البرازيلية، وغيرها.
والجدير بالذكر أن "وداعا أمهات"، الذي سبق أن حصل على جائزة لجنة التحكيم –فئة الشباب- بالمهرجان الفرانكفوني بأسفي، اختير لتمثيل السينما المغربية للتنافس على جوائز الأوسكار سنة 2009 بهوليود، لفئة أفضل فيلم باللغة الأجنبية.

وهذه أهم المهرجانات التي شارك فيها أخيرا فيلم محمد اسماعيل:
- أسبوع السينما المغربية بستراسبورغ، خلال شهر أكتوبر.
- مهرجان "أوخو كوخو" بالعاصمة مدريد، من 11 إلى 18 أكتوبر.
- مهرجان السينما المتوسطية بفالينسيا، إسبانيا، من 14 إلى 22 أكتوبر.
- مهرجان ساوباولو الدولي، بالبرازيل، من 17 إلى 30 أكتوبر
- مهرجان الفيلم العربي بولاية مينيابوليس الأمريكية، من 16إلى 19 أكتوبر.
- مهرجان الفيلم العربي بفاميك بفرنسا، من 8 إلى 19 أكتوبر.
- مهرجان الفيلم العربي ببروكسيل، من 22 إلى 28 أكتوبر.
- مهرجان "الديانات اليوم" أو "روليجيون توداي"، بالعاصمة الايطالية روما، من 16 إلى 31 أكتوبر
- مهرجان السينما الإفريقية ببرشلونة، من 7 إلى 13 نونبر.

للمزيد من المعلومات حول الفيلم والحصول على صور التتويج بإيطاليا المرجو زيارة العناوين الاليكترونية التالية:

http://adieumeres.blogspot.com

vendredi 31 octobre 2008

Goodbye mothers Religion Today Film Festival 2008





Menzione speciale

“Goodbye mothers” di Mohamed Ismail (Marocco)

“Dialogo interreligioso” giuria speciale Trento – don Silvio Franch “Goodbye mothers”

«Nel Marocco degli anni '60, amici di vecchia data e vicini di diverse religioni si scontrano con la situazione politica. La sceneggiatura intreccia le individuali storie di famiglia con una toccante interpretazione dei loro tragici destini».

Religion Today Film Festival 2008




La felice giornata di ieri a Roma prelude un'ottima conclusione della terza settimana di Religion Today e dell'intera XI edizione. La premiazione gentilmente condotta dall'attrice Sydne Rome è stata seguita da un centinaio di persone in Radio Vaticana, tra cui numerosi e importanti gli organi di comunicazione e molti ovviamente i registi che hanno partecipato al laboratorio di convivenza organizzato nei giorni scorsi al Celio. Da ricordare le parole di padre Federico Lombardi, direttore della Sala Stampa Vaticana e di Radio Vaticana: «Sappiamo quanto il Papa supporti gli sforzi per il dialogo interreligioso. In questo senso sono certo di interpretare la sua posizione nel farvi i migliori auguri per uno sviluppo sempre più ampio del vostro festival». Cade dunque a proposito il fatto che in mattinata gli ospiti abbiano incontrato il Santo Padre e che lo sceicco Abdul Aziz Bukhari abbia potuto scambiare personalmente con lui qualche parola.

Oggi il filmfestival si è spostato a Trento, Bolzano e Nomadelfia (Grosseto) per matinée con gli studenti, e pomeriggio e sera aperti al pubblico: Bolzano al Teatro Cristallo ha coinvolto le scuole elementari italiane, proponendo nel pomeriggio il lungometraggio vincitore di Religion Today 2008 “Un pezzo di Paradiso” di Ali Vazirian e alle 17.30 un confronto tra gli esponenti religiosi locali sul tema dell'integrazione nel “Giardino delle Religioni” coordinati da Mario Gretter, delegato della Diocesi locale per il dialogo interreligioso. La serata si apre con la consegna del premio speciale “Bolzano/Caritas – Religione e integrazione” annunciato ieri ex-aequo a “Path of our father” di Asaf Shahar (Israele) ed “Empty Hands” (Iran) di Abolghasem Talebi. Il programma termina con i documentari: “Peace for all” di Elizabetha Koneska (Bulgaria) e lo stesso “Path of our father” il cui regista è ospite in sala.
La giuria speciale Fraternità di Nomadelfia per la categoria ”Diritti negati” premia “The girls, the girls!” di Alexandr Stolyrov (Ucraina) e propone una maratona di documentari dalle 15 alle 23.
Trento chiude l’XI edizione di RT: tra oggi al Cinema San Marco di via San Bernardino e domani al Centro Bernardo Clesio di via Barbacovi oltre 20 opere proiettate danno una panoramica esauriente dell’intensa attività svolta. La premiazione finale di domani sera alle 18 nel Castello del Buonconsiglio vede la partecipazione di mons. Luigi Bressan, Arcivescovo di Trento. Molti dei vincitori saranno presenti alla consegna delle targhe – opera di Mastro 7 – e disponibili per foto e interviste. Come annunciato ieri sono:

“Il volto dell’Altro” giuria speciale Trento – don Tonino Bello “A span of Heaven”
“Dialogo interreligioso” giuria speciale Trento – don Silvio Franch “Goodbye mothers”
“Ritratti” giuria speciale Trento – Massimo Prevedello “Un incontro con Chiara”
“Storie di ragazzi” giuria speciale studenti “Ferrara Città Ecumenica” “A crystal boy”
“Religione e società” giuria speciale media città di Trento “Barefooth in Heaven”

Riportiamo i premi principali già consegnati:

Premio Religion Today "Nello spirito della fede"

“A span of Heaven” di Ali Vazirian (Iran)
«Esplorando il significato di Paradiso nel contesto dell'Islam, questo film si confronta con il desiderio di denaro e potere e si focalizza su come scoprire il cammino verso il Paradiso. Il film mostra che questo è il cammino dei servi scelti da Dio e dei buoni samaritani che aiutano gli ultimi dei nostri fratelli e sorelle. Questa storia ben costruita e originale richiama l'attenzione di un pubblico di bambini e adulti e ci mette a confronto con ciò che conta nella vita e con ciò che davvero vogliamo compiere nel cammino verso il Cielo».

Miglior film a soggetto

“The night” di Rasul Sadrameli (Iran)
«Seguendo la classica storia simbolica di due uomini ammanettati insieme, Sadrameli esamina il conflitto di due esseri umani molto differenti tra loro, entrambi costretti dalle proprie missioni a battersi spirtualmente con Dio e tra loro. Attraverso l'aiuto di un intremediuario compassionevole e una conversione fatta di piccoli passi, uno onora la madre morente presso il santuario di Imam Reza a Mashad e l'altro riesce a rispondere alle proprie necessità nel modo in cui voleva. Be scritto e diretto, con un cast superbo, questo film è sia commovente che provocatorio».

Miglior film documentario premiato da don Andrea Sorrentino per RT a Sant'Angelo a Fasanella
“Don Milani” di Elisabetta Castana (Italia)
«Questa è la storia potente e d'ispirazione di Don Milani che ha combattuto con vigore per dare a ogni bambino l'educazione che meritava, la migliore. Don Milani si è opposto all'oppressione dei poveri mettendo a soqquadro la società per mostrare a tutti i bambini che qualcuno davvero teneva al loro benessere. Ha ispirato una generazione alla lotta per la pace e la giustizia nell'intero mondo. Un film eccezionalmente ben fatto che inframmezza frequenti interviste con filmati d'archivio e drammatiche testimonianze costruendo un ritratto coerente di un uomo che ha fatto la differenza nella vita di molte persone».

Miglior cortometraggio

“Come on, everybody is asleep!” di Zoreh Zamani (Iran)
«Religion Today promuove, attraverso il mezzo cinematografico, una cultura di dialogo e pace tra le religioni, missione che questo film incarna perfettamente. Questa è una storia intereligiosa che utilizza metafore classiche quali il muro tra due giardini, la ricerca di Dio tramite la bussola e la stretta di mano tra un cristiano e un musulmano. “Come on, everybody is asleep!” mostra come l'innocenza dei bambini può rilevare cosa è veramente importante nel metter insieme due mondi differenti».

Ieri sono inoltre stati consegnati tre premi speciali:

Miglior reportage televisivo
“Frontiere dello spirito – Siria” a cura di Maria Cecilia Sangiorgi (Italia)

Premio SIGNIS
Per la prima volta una giuria SIGNIS ha valutato una selezione dei film in concorso,
assegnando il primo premio alla produzione Rai Fiction:

“Don Zeno” di Gianluigi Calderone (Italia)
«Nel conflittuale contesto politico e sociale degli anni '30, Don Zeno incarna un giovane passionale dell'Azione Cattolica che dedica la propria vita ai più poveri secondo i modi più radicali del Vangelo. Un film con una storia e dei personaggi che danno sostanza a un'opera di forte significato per il pubblico televisivo del giorno d'oggi».
Sezione cortometraqggi

“Seasons of love” di padre Jiji Kalavanal (India)
«In Seasons of Love, un gruppo di studenti risponde all'allontanamento di uno di loro malato di AIDS, sia dai genitori che dalla società. Un film toccante di livello professionale girato da studenti del college di talento promettente».
Menzione speciale

“Goodbye mothers” di Mohamed Ismail (Marocco)
«Nel Marocco degli anni '60, amici di vecchia data e vicini di diverse religioni si scontrano con la situazione politica. La sceneggiatura intreccia le individuali storie di famiglia con una toccante interpretazione dei loro tragici destini».

L'XI edizione di RT ha visto anche la novità di un premio fuori programma, fortemente voluto da Nun Sophia, direttrice del Festival del Cinema Ortodosso di Mosca intitolato al tema de “L'incontro”, assegnato a
“A span of Heaven” di Ali Vazirian (Iran)

Consegnato dall'assessore alla cultura del comune di Trento Lucia Maestri il premio “Musica dal cielo” assegnato dalla giuria speciale Valle dei Laghi a “You never Know: Schlomo Carlebach”



Trento, giovedì 30 ottobre 2008
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Maria Ida Clementel
Religion Today Press Office
ufficiostampa@religionfilm.com
+39.349.2957489