jeudi 18 décembre 2008

Represión y diálogo intercultural centran la Muestra Cine Africano de Madrid







Madrid | EFE
La represión política y policial y el diálogo entre culturas centrarán la Muestra de Cine Africano de Madrid, que se celebrará por segundo año consecutivo del 9 al 14 de diciembre en la capital española.
El Pequeño Cine Estudio Magallanes acogerá la proyección de nueve películas, entre largometrajes de ficción y documentales, una selección de los mejores filmes del momento, con la que se pretende ofrecer al público "una visión de África vista por africanos", según la directora de la muestra, Marie Elène Valpuesta.
El certamen reúne películas filmadas en países como Marruecos, Chad y Camerún e incluye en esta edición la sección Mama África, en la que tres realizadores colombianos y un brasileño recuperan la memoria histórica de la comunidad afrodescendiente de aquellos países.
Entre los largometrajes que serán proyectados destaca "Adieu Mères" (2008), del marroquí Mohamed Ismaïl, una historia que traslada al espectador al Marruecos de los años sesenta, y describe la convivencia entre judíos y musulmanes en el país africano.
La película, que representará a Marruecos en los próximos Óscar, es "una respuesta al diálogo intercultural y un ejemplo de convivencia entre personas de distintas religiones", según afirmó su autor.
En esa línea, en el ciclo se proyectarán además los documentales "Xali beut" (2008), del senegalés Moussa Touré, que plantea un diálogo entre continentes, el asiático y el africano, y "From Aleppo to Hollywood" (2008), en el que el marroquí Mohamed Belhaj relata la vida del cineasta árabe Mustapha Akkad.
El cine de denuncia llega a Madrid de la mano de "Tartina City" (2006), del periodista francés Issa Serge Coëlo, enmarcada en el Chad de principios de los años ochenta, y "Un affaire de nègres" (2007), documental de la camerunesa Osvalde Lewat que profundiza en la lucha contra el bandidaje en la región de Duala.
"La ResbaloZa" (2007), de Edilberto Jurado; "Negropacífico" (2007), de Andrea Arboleda y Jahiber Muñoz, y "Tesoros Negros" (2007), de Jorge Caicedo, todas ellas procedentes de Colombia, componen, junto a "Quilombagen" (2007), de los brasileños Jurandir Costa y Fernanda Kopanakis, las cintas que se proyectarán en la sección Mama África.
"Consideramos que era imprescindible para Madrid una muestra de cine africano", señaló Luis Miguel Rodríguez, coordinador del certamen en la capital española.
"El año pasado funcionó muy bien, llenamos las salas. Esperamos que éste funcione todavía mejor", concluyó.

mercredi 10 décembre 2008

ACAV: II MUESTRA DE CINE AFRICANO DE MADRID. Del 9 al 14 de diciembre



ACAV: II MUESTRA DE CINE AFRICANO DE MADRID. Del 9 al 14 de diciembre

ADIEU MERES EN LA II MUESTRA DE CINE AFRICANO DE MADRID






Del 9 al 14 de diciembre se celebrará la II Muestra de Cine Africano de Madrid. Desde el año pasado, la capital española acoge una muestra anual de cine africano que comparte programación con La Mostra de Cinema Africà de Barcelona.
Rueda de prensa:
Miércoles 3 de Diciembre. 12:00 horas Lugar: Pequeño Cine Estudio C/ Magallanes 1. (Metro Quevedo)
Asistirán:
Marie Elene Valpuesta: Directora de la Muestra de Cine Africano de Barcelona y Madrid.
Mohamed Ismaïl: Director de Adieu Mères (Seleccionada para representar a Marruecos en los Oscar 2009)
BIOGRAFÍA DE MOHAMED ISMAIL : Nacido en 1951 en Tetuán, Mohamed Ismail concluyó en 1970 los estudios de Derecho en la Facultad de Rabat. En 1974 comenzó a trabajar en la Televisión Marroquí, donde produjo y realizó numerosos telefilmes y teleteatros. En 1989 creó MIA Productions que, entre otras películas, coprodujo Said, de Llorenç Soler. En 1996 dirigió el largometraje Aoutcham y en 2003 realizó la que sería elegida como mejor película en Marruecos al año siguiente: Ua baad, que en español significa Y después, ¿qué? En 2005 hizo otra película sobre la inmigracion titulada Aquí y allá. El año pasado organizó el primer Festival de Cine Catalán en Marruecos, que fue todo un éxito.
Luis Miguel Rodríguez: Coordinador de la Muestra Cine Africano Madrid.
Largometrajes
Adieu mères Martes de Mohamed Ismaïl (Marruecos, 2008) 90 minutos - árabe/francés VOSE
En 1960, los judíos marroquíes empezaron a emigrar en masa a Israel, alentados por los agentes de inmigración del nuevo estado.La pelicula cuenta en clave de drama la historia de dos familias, una judía y otra musulmana, unidas por una estrecha amistad pero cuyos destinos se separan.Adieu mères es el último largometraje de Mohamed Ismail, de quien ya hemos visto Et après y Ici et là.Adieu mères ha sido la película elegida para representar a Marruecos para los premios Oscar.
DP75 Tartina City de Issa Serge Coëlo (Chad, 2006) 90 minutos francés VOSE
Chad, principios de los ochenta. Adoum, un joven periodista freelance, está a punto de salir de N'Jamena con destino a Bruselas para asistir a un curso de técnica fotográfica, pero lo detienen en el aeropuerto...
Documentales
Xali beut de Moussa Touré (Senegal, 2008) 90 minutos Uolof VOSE
Cuando tenía 6 años, sus padres le llevaron a ver su primera película, que resultó ser una película india ...Desde entonces, a Moussa le persigue el deseo de ver con sus propios ojos muy abiertos aquel continente de sueños y de danzas. Pero ¿como lo mirarán los indios a él, negro africano ?Dedicado a sus padres, pero también al gran escritor y cineasta senegalés Ousmane Sembène, Xalibeut es sin duda el trabajo más personal de Moussa Touré hasta la fecha, en première mundial.
From Aleppo to Hollywood de Mohamed Belhaj (Marruecos, 2008) 76 minutos árabe VOSE
Un relato muy documentado del cinesta árabe Mustapha Akkad, director del "Léon del desierto" y de "El mensaje". Casado con una cristiana, Akkad intentará toda su vida construir un puente entre el Islam y Occidente
Une affaire de nègres de Osvalde Lewat (Camerún, 2007) 90 minutos francés, bababjou VOSE
En un año, el comando de operaciones, una unidad "especial" de lucha contra el bandidismo en la región de Duala, en el oeste de Camerún, ha ocasionado más de mil víctimas."Se dice de los africanos que no están preparados para la democracia, y yo pregunto : han estado alguna vez preparados para la dictadura ?"Wole Soyinka.Osvalde Lewat retoma por su cuenta esta pregunta, unos años después de no haberse dado cuenta de lo que pasaba, pero habitada por esta terrible historia así como por la memoria de las familias de las víctimas que luchan aún por saber qué ha sido de sus desaparecidos
Sección Mama Africa Una fuerte presencia de la diáspora africana en Colombia y Brasil, representados en la sección Mama África.
La ResbaloZa de Edilberto Jurado (Colombia, 2007) 24 minutos español
La cotidianeidad de un sábado en la Colonia Nariñense, como se le conoce a este grupo humano por proceder del departamento de Nariño, al sur de Colombia.Conocemos a diferentes personajes representativos del asentamiento, hasta llegar a un lugar de encuentro comunitario, conocido como La Resbaloza, utilizado en diversas actividades sociales, entre ellas la más común: la rumba de la invasión.A pesar de estar ubicada en la Colonia Nariñense, un sector denominado como conflictivo o zona roja del Distrito de Aguablanca, La Resbaloza es un sitio de paz donde los enfrentamiento no existen, porque todos están de rumba...
Negropacífico de Andrea Arboleda, Jahiber Muñoz (Colombia, 2007) 5inutos español
Negropacífico, narra la historia de hombres, mujeres y niños que emprendieron el viaje en busca de un futuro y nuevas esperanzas. El Distrito de Aguablanca, sector de Santiago de Cali, que hoy concentra la mayor parte de migrantes del Pacífico Negro y uno de los oficios propios de esta raza, las peluquerías “Afro” de cortes americanos.El documental pone en escena la vida de “El Suave”, un reconocido peluquero del Vergel, quien luego de diez años de nostalgias de su tierra regresa –en un viaje de doce horas en barco- a Guapi para reencontrarse con su madre y con su historia.
Tesoros negros de Jorge Caicedo (Colòmbia, 2007) 25 minutos espanyol
En Colombia cuatro memorias vivas, desde artes y geografías distintas, conservan las costumbres, el saber y la herencia cultural ancestral africana mediante sus cantos, su música, sus saberes, y sus sueños…
Quilombagem de Jurandir Costa, Fernanda Kopanakis (Brasil, 2007)
52 minutos portugués VOSE
El drama de dos comunidades quilombolas en la frontera de Brasil con Bolivia, en plena selva amazónica.San Antonio del Guaporé y Pedras Negras luchan desde hace más de 200 años por el reconocimiento de su cultura y su permanencia en sus territorios sagrados
Actores y actrices -Mena Suvari -Jose Luis López Vázquez -Ashanti -Marisa Paredes -Clara Lago -Alan Rickman -Dustin Hoffman -David Duchovny -María Galiana -Shannon Elizabeth -Clovis Cornillac -Monica Bellucci -Vera Farmiga -Bárbara Muñoz -Jeffrey Dean Morgan -Isla Fisher -Beyoncé Knowles -Amaia Salamanca

lundi 8 décembre 2008

Moroccan Film Selected For 2009 Academy Awards


Moroccan Film Selected For 2009 Academy Awards
(Morocco)- A Moroccan film, "Adieu Mères (Goodbye Mothers)" directed by Mohamed Ismail, has been selected for the 2009 Oscars in the Best Foreign Language Film category. Released in February 2008, "Adieu Mères" was selected by a commission at the Moroccan Cinema Centre (CCM) because it met the requirements of the US Academy of Motion Picture Arts and Science (Oscars) award. The film highlights religious tolerance in Morocco through a "highly symbolical" story of Muslim and Jewish families bound for years by brotherhood and love in a universal dimension. Critics say the feature film is a message for peace, despite the ideological friction and the religious splits in it. The Moroccan film industry has been enjoying a fresh boom, producing 15 feature films per year. This new uptrend is possible thanks to the government assistance to the seventh art, estimated at $8 million per year. Moroccan filmmakers hope to release 40 feature films annually by 2020 to beef up the country’s current film archives which has 200 features films.
(from apanews.net)

CINEMA - AWARDS INTERFAITH DIALOGUE




First SIGNIS Awards at Interfaith Festival Religion Today 2008
Rome, October 28, 2008 (SIGNIS) - The 11th edition of Religion Today marked the first participation of a SIGNIS Jury at the interfaith festival. The SIGNIS Prize was awarded to Gianluigi Calderone of Italy for the film Don Zeno.
"In the conflicting social and political context of the 30’s, Don Zeno portrays a passionate young man from the Catholic Action who dedicates his life to the poorest in the most radical ways of the gospel. A film with a story and characters that sustain the drama with a strong meaning for today television audience."
A SIGNIS Commendation was given to Goodbye Mothers by Mohamed Ismail (Morocco).
"In Morocco in the 60’s, long time friends and neighbours of different religions cope with political exclusion. The script weaves individual family stories with a moving interpretation of their tragic destiny."
In the short films section, the SIGNIS award went to Seasons of Love directed by Father Jiji Kalavanal.
" In Seasons of Love , a group of students responds to the rejection of one of them suffering from AIDS, both by parents and society. A gripping professional film by a college student with promising talent."
The SIGNIS Jury was composed of Paul Cheruthottupuram (Italy, India), Kamal Correya (Bangladesh) and Magali Van Reeth (France).
Since 1997 Religion Today has been the first itinerant festival dedicated to dialogue between cinema and religions. This year, the festival collaborated with the Salesian Pontifical University to organize three days of screenings and meetings on the theme "Cinema, Religion and Peace" to discuss how cinema can contribute to peace.
http://www.religionfilm.com/

dimanche 7 décembre 2008

Jewish museum showcases unity John Thorne, Foreign Correspondent



Jewish museum showcases unity
John Thorne, Foreign Correspondent
Last Updated: December 02. 2008 11:06PM UAE / December 2. 2008 7:06PM GMT
CASABLANCA // Ten years ago, Jewish fathers in Morocco looked at demographics and decided it was time to build a museum.

Morocco’s once-thriving Jewish community has shrunk to a handful since the creation of Israel in 1948. Today, Simon Levy, a linguist and historian, fights doggedly to preserve its memory as director of the Arab world’s only Jewish museum.

Simon Levy, left, the director of the Jewish museum in Morocco, speaks to visitors. Eve Coulon for The National
Mr Levy recently played host to a group of high school students. For most, it was their first exposure to Jewish Morocco. While Mr Levy normally sees a trickle of foreign Jewish tourists, his target audience are Muslim youngsters.

“More than anything, I want them to learn that there’s a different way of being Moroccan,” Mr Levy said.

The Jewish Museum of Casablanca is a complex of low, white buildings with gardens of cactus and palm trees. Inside is a collection of artefacts from traditional Jewish life, plus an archive of photos, documents and films. For Mr Levy, the museum stands as testament to a rich Jewish life in Morocco even as the country’s dwindling community flickers at the edge of existence.
Mr Levy walks the students through the galleries, explaining the Torah scrolls, silver jewellery, and photos of Jewish life – rabbis with long beards, boys in yarmulkes poring over Hebrew texts, menorahs blazing in the synagogues. He asks the students to identify the Jews and Muslims in an old photograph. They guess unsuccessfully for a moment, then Mr Levy asks what the picture represents.

“Mixing?” a girl said.
“No!” Levy said. “Because they are the same.”

Jews and Muslims share many customs that mark them as Moroccans, Mr Levy tells the students. They speak Moroccan Arabic, eat couscous and tajines, drink green tea laced with mint and make pilgrimages to the shrines of local Jewish and Muslim saints.

It is the result of nearly two millennia of Jewish presence in Morocco that has withstood successive upheavals.
Nearly 2000 years ago, Rome destroyed the Temple of Jerusalem and drove the Jews into exile. Some did not stop until they reached Morocco, where they quietly flourished through Roman, Vandal and Byzantine rule.

Arab armies barrelled into North Africa in the seventh century, bringing Islam and imposing the second-class status of dhimmi on Jews. In the 12th century, the Almohad dynasty went further, ordering Jews to become Muslims or quit Morocco. Most converted falsely until the Almohads fell in the next century.
By now, Morocco was home. Jews were prominent in metal-working, banking and commerce, and increasingly served Moroccan sultans as middlemen to Europe. The community was bolstered in the 16th century by Jews fleeing waves of persecution in Europe.

Jews also suffered in Morocco at moments of political tension. European visitors wrote of Jews forced to walk barefoot near mosques, cheated in courts and assaulted with impunity.
Twentieth-century French colonialism abolished the dhimmi status, but replaced it after 1940 with the repressive decrees of wartime France’s pro-Nazi Vichy government. The appeal of Zionism to Morocco’s Jews increased, compounded after the war by economic hardship. After Moroccan independence in 1956, Jews gained full rights as Moroccan citizens and today enjoy freedom of worship and government support for Jewish institutions. But since the creation of Israel in 1948, a Jewish community that once numbered about 265,000 has plummeted to fewer than 2,500.
For some Muslim Moroccans, the dwindling of the Jewish community is a bitter loss.

“I had Jewish friends when I was a kid,” said Mohamed Ismail, a Moroccan filmmaker who grew up in the 1950s. “Then overnight, they were gone.”

In February, Mr Ismail released Adieu Meres (Farewell Mothers), the story of Jewish and Muslim friends torn apart by political tension, money troubles and the machinations of an Israeli immigration agent. Subplots feature a Jewish insurance broker who sells his practice to join family in Israel and a doomed Muslim-Jewish romance.
“If it hadn’t been for the creation of Israel, the Jews wouldn’t have been compelled to leave,” Mr Ismail said. Adieu Meres will represent Morocco at the 2009 Academy Awards in the Best Foreign Language Film category.

Israel is home to about one million Jews of Moroccan origin. But nowadays Morocco’s few remaining Jews are heading North, not East.

“For most Jews, Morocco no longer offers possibilities,” said Shimon Cohen, the headmaster of Casablanca’s Lycée Maimonide, one of four Jewish schools in Morocco. Armed with French diplomas, Mr Cohen’s students go on to university studies and jobs in France.
But Mr Levy, the museum director, insists that despite their emigration, “the millions of Moroccan Jews wandering the earth remain attached to their country”. At the museum, Mr Levy and the visiting students are winding up their tour. He leads them into a small synagogue and his assistant brings everyone glasses of Moroccan green tea.

“It’s a surprise to learn that Jews and Muslims lived in harmony,” said Zina, 14, one of the students. “Before, I had only the image of Israel and the Palestinians fighting one another.”
Mr Levy points to a drawing on the wall depicting Jerusalem. The Dome of the Rock, Wailing Wall and Al Aqsa Mosque are all visible.

“What do you think this picture represents?” he asks the students.

“Peace?” says a boy.

“Yes, peace.”

jthorne@thenational.ae

Voices : Goodbye Motheres « Adieu Mères » By Georg Neumann


Goodbye Motheres « Adieu Mères »
By Georg Neumann
30Nov08
There are few movie theatres in Rabat. The Institute Française shows movies in their little theatre on Saturday’s and Sunday’s at 6:30pm. But then there’s the theatre 7ème Art, just in the centre of the city. A quite modern building with a Bauhausian name sign above the entrance, at one side of a plaza next to the city centre’s main avenue Mohamed V.

Since I arrived two weeks ago, they have been showing the same movie, Adieu mères (Goodbye Mothers) by Mohamed Ismail, his fourth film. If you have a look at the poster, you might not necessarily feel very attracted to go see it. But entrance is 15 Dirham (1 Euro 50), it’s part of Moroccan culture, and it deals with a topic, Jewish emigration in the 60’s, that is being discussed recently in Morocco and was on the cover of one of the main weekly magazines, TelQuel, that titled last week: The Jew in Us (story in French). So tonight was the night. Function was on at 9pm, as every night. I went with a friend and we got our ticket from the ticket counter, right next to the entrance that leads directly into the one big hall, with the hallway in the middle (where usually the best seats are). Comfortable, red, slightly run-down and squeaking seats. But it gives you this feeling of a movie theatre. Not a multiplex, but really a place to appreciate a film. Not many were there to appreciate tonight’s function though. It started of with a Moroccan short movie, called Liberé Provisoire that although with some parts in Arabic, had a nice little plot of a man who leaves prison, picks up the money he had hidden, and looses it when he goes into a bar following a woman making him eyes… and a surprising ending.
Adieu Mères is telling the story of a Jewish community in Morocco, filmed on the background of Jewish emigration to Israel in the 60s, where a thousand year long history of Jewish population exists. Today only about 2,000 remain, while in 1950 there were nearly 250,000 on 10 million Moroccans. The story turns around the impossible love between a young Jewish girl and the Muslim boy, and a father, who feels he has to leave family and his best friend behind for a better living.
The film is tragic, very tragic and touches on the deepest feelings of human nature, home (what we call in German “Heimat”), friendship, love, sorrow, and family. It is different in a sense that it doesn’t use the acting, cutting and story telling in a way we are used, and the score is somewhere between Once upon a time and Titanic, but the feelings can be understood anywhere. So I’ll be back for more, whenever the programme may change.
By the way, the movie is nominated for best foreign movie for next year’s Oscars celebration and talking about Hollywood, for Hollywood movies go to the Medina, where the latest can be found for just 10 Dirham (about 1 Euro). One might think sometimes even before they are out in the USA.


Georg Neumann
Georg Neumann. Living in Berlin. Lived two years in Tijuana, Mexico, working in development assistance. Now a communication specialist and working for Transparency International, an international NGO fighting corruption.